So, I've been tallying a list of projects for people I love, and it seems now is a good time to start tackling them. I always enjoy making things as gifts, but I'd be lying if I didn't admit that there is a small part of me that wonders if the gift is actually a burden on the receiver. Years and years ago I read I Love To You by philosopher, Luce Irigaray. She argued that when we say "I love you" to our beloved we aren't giving them space to accept our love or reject it. Instead we hit them on the head with our love hammers pounding them like a nail. As an alternative, Irigaray suggested that we say "I love to you" which expresses our love for someone, but the "to" creates space for the beloved to accept or reject the love. I hope my creations don't feel like impositions or burdensome in any way. If there is little enthusiasm I understand that their rightful place is in a closet or as a re-gift.
I painted Asha for my brother and sister-in-law who live in South Africa who are proud owners of an African mutt, Asha. Although I haven't had the pleasure of meeting Asha, I am enthralled by her eyes which to me communicate a gentle, loving, yet wild demeanor. It felt logical to paint the background in African motifs. So, I'm hoping to makes some copies and perhaps experiment with cropping it in different ways.
Tuesday, July 24, 2012
Wednesday, July 18, 2012
Malorie Rug
This rug was a custom order for a 3 x 5 rug resembling the Fiestaware commission from earlier that also incorporates pink, aqua, and bright green. I like the play between pastel and bright colors--especially since it is going into a baby's room.
Monday, July 16, 2012
St. Louis Inspiration
This past weekend we were lucky enough to celebrate our friends' wedding in St. Louis. Their reception was held in the Bevo Mill. In 1915, Mr. August A. Busch used the space as his private dining room. Its Dutch aesthetics were inviting and inspiring, and perhaps not captured so well by my camera. As for the rest of the city, I found all the markings of industrialization visually exciting. I would like to study man hole covers, old knobs, and abandoned factories. Maybe there is a painting series there. The picture of tile from the Bevo has definitely inspired me to look at Moorish patterns a little closer. Perhaps they can be a window into Islamic history and tradition that I can somehow marry with my paintings.
Sunday, July 8, 2012
Behold the Magical Bandana - Part 3
Behold the Magical Bandana--Part 2
Behold the Magical Bandana Debut Show
Entry to show with sample work of artists, magic bandana, artist statement |
“Behold the Magical Bandana”
(The
Dot to Dot Collective goes to camp).
In summertime, hoards of scouts,
campers, and wilderness adventurists pack neat rucksacks with canteens,
sleeping rolls, and trail mix.
With compass and map in hand they navigate a world unknown creating
temporary homes, blazing trails, and crossing uncharted waters. In this journey of discovery only the
necessary accoutrements are packed, and so the Scout Master declared, “Behold
the Magical Bandana! For there is great value in objects which possess multiple
functions! It's an apron. It's a sit-upon. It's a bandage or a sling. It's a
cap, a blindfold, and a potholder. It's a flag, a scarf, and a pack. It's as
mask, a puppet, and a washcloth.
And now I ask you campers, what can you do with it?” Without hesitation the scouts dutifully
tied their bandanas around their necks and began to explore its magical
possibilities.
The Dot to
Dot scouts pay homage to the spirit of camp and magical bandanas in their debut
show. By presenting both fine and
functional art they explore the multi-dimensionality of creativity, and its
role in our everyday lives. The
content harkens to the child-like innocence of campers (particularly of a
bygone era) who rose to the challenges of surviving in nature with newly
achieved skills and earthy finesse.
So, too, do the Dots cut their teeth on their first attempt to wrangle
the wild world of art and carve out a home in its wilderness. Their creations are only made possible
with the help of neatly packed tools of friendship, vision, and
resourcefulness.
In
the words of Ernest Thompson Seton:
[""Ho Wayseeker, " she called "I have watched your
struggle to find the pathway, and I know that you will love the things that
belong to it. Therefore, I will show you the trail, and this is what it
will lead you to: a thousand pleasant friendships that will offer honey in
little thorny cups, the twelve secrets of the underbrush, the health of the
sunlight, suppleness of body, the unafraidness of the night, the delight of
deep water, the goodness of rain, the story of the trail, the knowledge of the
swamp, the aloofness of knowing, -- yea, more, a crown and a little kingdom
measured to your power and all your own.
"But there is a condition attached. When you have found
a trail you are thereby ordained a guide. When you have won a kingdom you
must give it to the world or lose it. For those who have got the power must
with it bear responsibility; evade the one, the other fades away."
This is the pledge I am trying to keep, I want to be your Guide.
I am offering you my little kingdom."]
Campers,
Ready your bandanas!
Kaela Voss print, Anna Lentz Print |
Lisa Manning Grasshopper, Lisa Callahan deer print, Anna Lentz postcard block print |
Mad Plaid quilt--Anna Lentz |
Lisa Manning Totes, Kaela Voss Photo |
Camp Paintings--Anna Lentz |
Camp Paintings, Prints, Garlands, Totes, Socks, |
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